![]() ![]() Though Splatter is associated with fairly extreme Horror Films, and such works form the main focus of the book, a relatively diverse range of titles dating mainly from the 1960s to late 1970s are also included, for example John Waters' Female Trouble, Ted Post's Magnum Force, Terry Gilliam's Jabberwocky, and Walter Hill's Western The Long Riders. The first significant publication to attempt to define and analyse the 'Splatter Film', McCarty suggests that Splatter is indicative of broader trends in film production. ![]() The term was popularized by John McCarty's 1981 book Splatter Movies, subtitled: Breaking The Last Taboo: A Critical Survey Of The Wildly Demented Sub Genre Of The Horror Film That Is Changing The Face Of Film Realism Forever. Romero to describe his film Dawn of the Dead, though Dawn of the Dead is generally considered by critics to have higher aspirations, such as social commentary, than to be simply exploitative for its own sake. The term "splatter cinema" was coined by George A. These films, usually through the use of special effects, display a fascination with the vulnerability of the human body and the theatricality of its mutilation. Poster art for Blood Feast (1963), considered to be the first splatter filmĪ splatter film is a subgenre of horror films that deliberately focuses on graphic portrayals of gore and graphic violence. JSTOR ( July 2012) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed. ![]() Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification. ![]()
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